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Chinese Music: Chinese music CD, Chinese Song, Chinese Folk Song, Chinese music instrument including Erhu (Er Hu), Dizi (Di zi), bamboo flute, Sheng, Pipa (Pi pa). Chinese Music: Chinese music CD, Chinese Song, Chinese Folk Song, Chinese music instrument including Erhu (Er Hu), Dizi (Di zi), bamboo flute, Sheng, Pipa (Pi pa). Chinese Music: Chinese music CD, Chinese Song, Chinese Folk Song, Chinese music instrument including Erhu (Er Hu), Dizi (Di zi), bamboo flute, Sheng, Pipa (Pi pa). Chinese Music: Chinese music CD, Chinese Song, Chinese Folk Song, Chinese music instrument including Erhu (Er Hu), Dizi (Di zi), bamboo flute, Sheng, Pipa (Pi pa).
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Chinese Classical Music
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ensemble
MUSIC
XiaoYao FaShaoWang
Type: CD [1 Disc]
Product #: MA-54-0046
ISBN: CN-E27-03-434-00/A.J6
ISBN: CNE270343400/A.J6
Musician:
Producer: AnHui WenHua YinXiang ChuBanShe
List price:
$9.00
Our Price:
$7.80
DESCRIPTION/Track Listings:
Please Stay! Guest Form Afar
Please Stay! Guest from afar Yunnan folk song
Adapted & orchestrated by Lu jianhua
The music depicts the hospitality of the people of Yi nationality, Please stsy! Guest from afar. Let’s sing together in praise of the happy times and share the joy of a bumper harvest. This lively and soulful music begins with liuqin as principal part.
In the middle, it is supplemented with cello and electric piano. It ends up with an orchestra to highlight the music. Liuqin has a sonorous tone and strong personality which is best to play a passionate role. Its solid sound of plucking is clear. In the final part, there are a few pluckings which are meaningful and outstanding while playing with the whole orchestra and its penetrating power is absolutely real.
Wedding Oath
Wedding Oath Adapted & orchestrated by Zhou Chenglong
This song is selected from the film Lusheng love song. Youngsters of lahu nationality are playing lusheng to express their true and faithful love by the music. The traditional instruments of Yunnan province, bawu and lusheng are both wind instruments which have single tube but they are different in features. The tone of bawu is smooth and pure like the old wine. The tone of lucheng is clear and sweet since its chips inside the tube vibrate. The short prelude of the music portrays the scenic picture of Yunnan province. In addition, the bright violin and cello are played against bawn and lusheng with the lively rhythm alternately. It draws a picture of young people who are singing and dancing happily.
The Melting Snows on Broken Bridge
The Melting Snows on Broken Bridge
Arranged by Zhang Fu-quan
Erhu by Wong Hae
Gucheng by Kwok Wai-sze
The Broken Bridge comes from and old Chinese legend. Story of White Snake. In the legend, the broken bridge is the place where the male and female protagonists gather. Since the winter scene is gorgeous, the Melting Snows on Broken Bridge is considered one of the ten wonders of Si Hu (or West Lake). The song is beautiful, graceful and smooth.
Do know Or Don't Know
Do Know or Don’t Know(Magnificent Scene of Green Hills and Clear Waters)
Adapted and erhu by Wong Hae Piccolo and flute by Tim Wilson Guzheng by Kwok Wai-sze When the musician adapts the song, he imagines himself as a young girl who is thinking of her lover. This familiar melody uses erhu, guzheng and flute to bring out a good feeling.
A Minor for Porters
A Minor for Porters Shanxi folk song Adapted & orchestrated by Ma Youdao
In the lid days, men along the bank of the Yellow River went out to find a living. They drove draught animals and trudge over a long way to north shanxi, some even to the Inner Mongolia. During the course of their wandering, they sang a local minor to lament their miserable fate. As the time went on, the popular minor they sang has become a porter minor. It is called Mabang Minor in Yunnan Province. Xun is an ancient instrument made by clay and has a history of six thousand years. Its pure and unique tone describes that the poverty-stricken people who worked very hard for living at the Yellow River in the old days. They sang sometimes and whispered their awful fate at other times. In this record, one can enjoy the song and appreciate the accurate technique of the performers and its beautiful sound effects at the same time. The range of xun is not wide, its volume is small and there are difficulties in playing it. One can clearly hear the breath of the performer and feel his abdominal movement and change of the mouth when he plays the vibrating part of the music.
Missing the three Gorges of The Yangtze River
Missing the Three Gorges of the Yangtze River(originally composed by Ma Junying)
Adapted & orchestrated by Zhou Chenglong
Roving all over the world, people of the Three Gouges miss their homeland with infinite yearing. Hay-yo-ho, Hay-yo-ho.the working song in those days is fresh to hear.
The music begins with MIDI and the low pitch of double-bass to portray the magnificence of the Three Gorges of the Yangtze River. It conceals that the river is on the flow through the busy plucking of guzheng. Its strong playing is like the outburst of the torrents. (It seems to hit the trumpet.) The expressive erhu plays the soft and undulating sound for one can feel the change of playing the bow and the strings. This kind of effects reveals the unyielding spirit of the people living at the river. Besides, erhu has a pure and solid tone as well as the rubbing and vibration among the bow, the strings and the pine wood are maintained. It is high in fidelity.
Parted Lovers
Parted Lovers
Arranged and erhu by Wong Hae
Steel-String Guzheng by Kwok Wai-sze
Separated by million miles and thousand hills, hold the tears of farewell and tell me the lingering sentiment The song is originated from an old Chinese song. Yang Cui-xi. The old song expresses the pursuit of art by the girl who sings for living as the modern one depicts the memories of lovers.
Spanning Ballad
Spinning Ballad Jilin Folk Song Adapted by Chen Zhonghua
At the beginning of the 20th century, some Korean people, who cannot bear the ruling of the Japanese colonialists, came to live in the Yanbian area (the northeast part of China). With the help of the local Han people, they made their living by manual labour. Gradually a series of labour songs came into being. The spinning wheels are turning. The sound seems to be sobbing and moaning. The sob and moan cannot be stopped even at dawn of the cold winter. My suffering cannot be wound to an end, too. The song depicts the bitter days of the woman labour.
The music starts with strings and MIDI which imitates the turning sound of the spinning wheel. It expresses a feeling of heaviness and pressure. Then it blows the Japanese tune of pipe. It exposes the strong and powerful vibration as well as the air created when it is blowing. Meanwhile, the music sends out the invisible pressure of a miserable life that is no way out. At the end of the music, the loose and soft tone of dongxiao exhibits the hardships borne by the Korean people.
Three, Five, Seven
Three, Five, Seven(Dizi)
Folk song performed by Chen Tao
The song originated from the tune of the Wu Opera in Zhejiang province, China. The title means that there are three, five, seven phrases in forming the song. It has a limpid and smooth melody and depicts the lively and exhilarating mood.
Moonlit Night (ErHu)
Moonlit Night(Erhu)
Composed by Liu Tianhua
Performed by Liu Changfu
The song is lyrical and touching for it is about a starry and moonlit summer night. The breeze is light, the distant mountains are tranquil and the fireflies are dancing in the river.
Song of Moon Dance
Song of Moon Dance Yunnan Folk song Adapted & orchestrated by Lu
Jianhua Moon Dance is the most popular group dance of the youn gsters in the Liangshan mountains. Young men and women engage in love often by this dance which is accompanied by instruments like flute and sanxian with different pitches.
It is an amusing song. The orchestration of the song vividly describes the group dance of the youngsters in the Liangshen mountais. The high-pitched sheng blows a calling melody and then an ensemble of piccolo and sheng begins with lively rhythm upon a party. The group dance begins with the orchestra and it comes to the highlight of the party. For piccolo has a sense of intimacy and high fidelity, the bounding melody sends out a wide and spacious feeling as if being in the party.
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XiaoYao FaShaoWang
ensemble
Chinese classic ensemble music, Chinese traditional orchestra
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